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¡¾ÉÏÔ·ÏÖ³¡¡¿±»°óµÄÁ÷ÀËÕߣºSusana Wessling (ÆÏÌÑÑÀ) & Natalia Kalic

[2019-8-25 19:09:39]


Strays on Leashes:

Susana Wessling & Natalia Kalicki Duo Exhibition

±»°óµÄÁ÷ÀËÕߣºSusana Wessling (ÆÏÌÑÑÀ) & Natalia Kalicki (²¨À¼) Ë«ÈËÕ¹

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Opening: August 24th, 2019
Exhibition Period: 
August 24th to 28th, 2019

Sponsor: Shangyuan Art Museum, Beijing

Venue: Exhibition Hall, Shangyuan Art Museum, Shayukou Village, Qiaozi County, Huairou District, Beijing


Ç°ÑÔ Introduction

Susana Wessling is currently developing a six-part project based on the ¡°Six memos for the Next Millennium¡± by Italo Calvino. In the Shangyuan Residency she has been working on the second memo: Quickness. Under this brief she has been exploring how different ways of expressing time in writing can be applied to her painting and the interactions they establish in the viewer. This project reflects on different approaches to storytelling and the different degrees to which a narrative is known or unknown. A little bit like seeing only a part of a bigger whole that does not allow itself for be known fully, a little bit like a stray on a leash.


Susana WesslingÄ¿Ç°ÕýÔÚÑо¿Ò»¸öÓÉÁù¸ö²¿·Ö×é³ÉµÄÏîÄ¿£¬ÆäÏîÄ¿Ö÷Ö¼ÄË»ùÓÚItalo CalvinoµÄ¡°ÏÂÒ»¸öǧìûÄêµÄÁù¸ö±¸Íü¼¡±¡£ÔÚÉÏÔ·ÒÕÊõ¹ÝפÁôÆڼ䣬ËýÒ»Ö±ÔÚÑо¿µÚ¶þ¸öÏîÄ¿£º¿ìËÙ¡£×ܽá¶øÑÔÔòÊÇËýÒ»Ö±ÔÚ̽Ë÷ÈçºÎ°ÑÔÚд×÷Öбí´ïʱ¼äµÄ²»Í¬·½Ê½Ó¦Óõ½ËýµÄ»æ»­Öв¢¹Ø×¢ËüÔÚ¹ÛÕßÖÐËù½¨Á¢µÄ»¥¶¯·´Ó¦¡£Õâ¸öÏîÄ¿·´Ó³Á˽²¹ÊʵIJ»Í¬·½·¨£¬ÒÔ¼°Ò»¸ö¹ÊʵÄÒÑÖª»òδ֪µÄ²»Í¬³Ì¶È¡£ÓеãÏñ¿úÊÓ×ÅÀ´×Ô¸üºêΰȴ²»ÔÊÐí×Ô¼º±»ÍêÈ«Àí½âµÄÕûÌåµÄһС²¿·Ö£¬ÓеãÏñÒ»¸ö±»°óµÄÁ÷ÀËÕß¡£


Natalia Kalicki is fixated on two stone lions. Such statues are placed on either side of front doors to ward off ghosts. Their dignified mouths are frozen agape. This series investigates the ways in which symbolism morphs when the context of a specific mythology combines with unexpected visitors. How do guardian lions, as vestiges of the past, behave in the 21st century? Could they themselves be embodied ghosts? Are they perplexed? Or could they be, just a little bit, like a stray on a leash? 


Natalia Kalicki×ÅÃÔÓÚÖйúµÄʯʨ×Ó¡£ÕâЩµñÏñ±»·ÅÖÃÔÚÇ°ÃŵÄÁ½²à£¬ÒÔÇý¸Ï¹í»ê¡£ËûÃÇÍþÑϵÄ×ì°ÍÓÀÔ¶¶¼Õŵþ޴󡣱¾ÏµÁÐ̽ÌÖÁËÏóÕ÷Ö÷ÒåÔÚÌض¨Éñ»°µÄ±³¾°ÏÂÓë²»ËÙÖ®¿Í½áºÏʱµÄ±ä»¯·½Ê½¡£ÊØ»¤Ê¯Ê¨¡ª¡ª×÷Ϊ¹ýÈ¥µÄÒż£¡ª¡ªÔÚ21ÊÀ¼ÍµÄµ±½ñÊÇÈçºÎ±íÏֵģ¿ËûÃÇ×Ô¼º»á³ÉΪ¹í»êÂð£¿ËûÃÇ»á¸Ðµ½À§»óÂ𣿻òÕßËûÃÇÓеãÏñһȺ±»°óµÄÁ÷ÀËÕߣ¿


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ÉÏÔ·ÒÕÊõ¹ÝÊÕ²Ø Natalia Kalicki (²¨À¼) ×÷Æ·1


ÉÏÔ·ÒÕÊõ¹ÝÊղؠNatalia Kalicki (²¨À¼) ×÷Æ·2


ÉÏÔ·ÒÕÊõ¹ÝÊղؠNatalia Kalicki (²¨À¼) ×÷Æ·3


ÉÏÔ·ÒÕÊõ¹ÝÊղؠSusana Wessling (ÆÏÌÑÑÀ) ×÷Æ·1


ÉÏÔ·ÒÕÊõ¹ÝÊղؠSusana Wessling (ÆÏÌÑÑÀ) ×÷Æ·2











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Strays on leashes exhibition review


At first there was light, then, there was a word and it gradually turned into a line which suddenly became a story. A story of the universes that we constantly experience but rarely are able to identify, it is not just one unified universe but many, these universes somehow sneak on us, disappear and reappear in the constant breathing in and breathing out of life. Susana and Natalia managed to capture the moments in time of just these almost invisible universes combining the stories, moments of disconnected and yet essential elements that construct the reality of now. Why are these moments almost invisible one might ask, is it the initial awkwardness that makes them invisible to our consciousness that expects only the expected, the reality constructed according to the wishes of the experiencer?  


Colossal lions seemingly belonging to the otherworldly realm greet us, taking away the spirits that walk the trail we make. Gradually the concept of trail disappears as the gravity is twisting and turning all the objects that we are all too comfortable to place in a box of expectations and we go forward into the world of possibilities and impossibilities, bridging the gap somehow.


Susana and Natalia are challenging the concept of our all too comfortable reality, bringing together the ghosts of the past, guarding our present and future, but at the same time letting in the invisible powers to play around with our anthologies, books, powers of storytelling. A book can tell a thousand words with just a few lines, and that is exactly what was told, the line between a sculpture, a painting, a word got blurred and we are left before a mirror a word represents, to face our demons even though we guard every moment of our reality with our individual lions from the times past.


The body of work presented in here is actually exploring this construct in the greater depth, with the touch of Eastern mythology and belief systems that span several centuries to the Calvino¡¯s elegant imaginatorium, these seemingly invisible and yet crucial elements make us experience and we only become aware of them briefly and rarely. We sometimes choose to ignore them because our consciousness seeks comfort, they are like ghosts that pass by the guardian lions (our consciousness) and play with the world of stories. Stories are the most primordial drops of imagination and sometimes it feels as if we have exhausted them all, the combinatorics of so many thoughts, so many centuries of transformation echoing the times they were made in, but, not today! Stories today lead us to the times from the past and present as they incorporate our lives, a lion from the past, a guardian playing in the subconscious mind as we play with it, trying to find something beyond. This beyond is a question mark unique to each of us and the pieces make us wonder about the universe one step further into the world, at the same time one step closer to ourselves as we discover, wonder, us wanderers... into the infinite. 


Irina Ideas


ÒÕÊõ¼Ò¼ò½é About the artists£º

Susana Wessling ËÕɺÄÈ¡¤Î¤Ë¼ÁÖ£¨ÆÏÌÑÑÀ/µÂ¹ú£©


¸öÈËÍøÕ¾£ºwww.susanawessling.com

µç×ÓÓÊÏ䣺svtwessling@gmail.com


Susana Wessling is a half Portuguese half German visual artist currently living in Lithuania. Over the last seven years she has lived in five different countries and done residencies in four more. She draws from the experience of living in different places and moving often and her practice is based on collecting misfits, mishaps and mismatches that come to be in the liminal spaces created by this mobility.


Susana WesslingÊÇÒ»ÃûÓÐ×Å°ëÆÏÌÑÑÀ°ëµÂ¹úѪͳµÄÊÓ¾õÒÕÊõ¼Ò£¬Ä¿Ç°¾ÓסÔÚÁ¢ÌÕÍð¡£ÔÚ¹ýÈ¥µÄÆßÄêÀËýÔÚÎå¸ö²»Í¬µÄ¹ú¼ÒÉú»î¹ý£¬²¢ÔÚÁíÍâËĸö¹ú¼Ò×ö¹ýÒÕÊõפÁô¡£Ëý´ÓÉú»îÔÚ²»Í¬µØ·½ºÍ¾­³£Ç¨ÒƵľ­ÀúÖÐÎüÈ¡¾­Ñ飬ËýµÄʵ¼ùÊÇ»ùÓÚÊÕ¼¯²»ÊÊÓ¦¡¢²»ÐҺͲ»Æ¥ÅäµÄ¶«Î÷£¬ÕâЩ¶«Î÷ÓÉÕâÖÖ¾­³£ÂþÓÒìµØ¶ø´øÀ´µÄÁ÷¶¯ÐÔËù´´Ôì²¢¾Û¼¯µ½Ò»¸öÓÐÏ޵ĿռäÖС£

Selected projects


2019 EM EM Festival, Traku Vokės Manor, Vilnius, Lithuania

2019 Vagabond Club Residency, Singapore

2018 Atelj¨¦ Stundars Residency, Vaasa, Finland

2018 The reason why I don¡¯t sit on roofs anymore, Ideas Block , Vilnius, Lithuania

2017 Bonkers Contemporary, Biscuit Factory, Edinburgh, UK

2017 SeMA Nanji 11, residency, Seoul Museum of Art, Seoul, Republic of Korea

2017 Sculpture, The Spectrum of Dream, International Sculpture Festa, KOSA Gallery, Seoul, Republic of Korea

2016 Custom Made, Leith Custom House, Edinburgh, UK

2016 Best of Degree show, Sixfoot Gallery, Glasgow, UK

2015 Interim - Talbot Rice Gallery, Edinburgh. UK




Natalia Kalicki ÄÈËþÀòæ«¡¤¿¨Àû´Ä»ù£¨¼ÓÄôó/²¨À¼£©


¸öÈËÍøÕ¾£ºwww.nataliakalicki.com 

µç×ÓÓÊÏ䣺natmsk@hotmail.com


Natalia Kalicki is a Canadian-Polish painter and anthropologist based in Leipzig, Germany. She has exhibited work in 5 countries, has attended 3 residencies, and was the coordinator of Pilotenkueche Art Residency in Leipzig Germany for 18 months. Her work includes participating in monthly MODS talks, curation, organising festivals, and facilitating partner outreach between institutions and collectives. She is currently studying the intersections of cultural production, mobility, urban development and art residency models at the University of Leipzig in the Anthropology Institute. This summer she is based at Shangyuan Museum AIR in Beijing. Next autumn she looks forward to an internship at the Artist Residency program at U-Jazdowski Castle in Warsaw, Poland.


Natalia KalickiÊÇһλ¾ÓסÔڵ¹úÀ³±ÈÎýµÄ¼ÓÄôó×æ¼®µÄ²¨À¼»­¼ÒºÍÈËÀàѧ¼Ò¡£ËýÔøÔÚ5¸ö¹ú¼ÒÕ¹³ö¹ýÆä×÷Æ·£¬²Î¼Ó¹ý3´ÎÒÕÊõפÁôÏîÄ¿£¬²¢Ôڵ¹úÀ³±ÈÎýµ£ÈÎÁËΪÆÚ18¸öÔµÄƤëø¿âÇÐÒÕÊõפµØЭµ÷Ô±¡£ËýµÄ¹¤×÷°üÀ¨²ÎÓëÿÔµÄMODS½²×ù¡¢²ßÕ¹¡¢×éÖ¯½ÚÈÕ£¬ÒÔ¼°´Ù½ø»ú¹¹Ó뼯ÌåÖ®¼äµÄ»ï°é¹Øϵ¡£ËýÄ¿Ç°ÔÚÀ³±ÈÎý´óѧÈËÀàѧÑо¿ËùѧϰÎÄ»¯Éú²ú¡¢Á÷¶¯ÐÔ¡¢³ÇÊз¢Õ¹ºÍÒÕÊõפÁôģʽµÄ½»»¥ÏîÄ¿¡£½ñÄêÏÄÌ죬ËýÔÚ±±¾©ÉÏÔ·ÒÕÊõ¹Ý×öÒÕÊõפÁô¡£Ã÷ÄêÇïÌ죬ËýÆÚ´ý×ÅÔÚ²¨À¼»ªÉ³U-Jazdowski³Ç±¤µÄÒÕÊõ¼ÒפÁôÏîĿʵϰ¡£


Selected projects


2019, Museum On The Couch: Creative and Reflexive Explorations of the Ethnographic Collections. Grassi Museum. Leipzig, Germany

2019 Located - Dislocated. Krudebude. Leipzig, Germany

2019 ¡­but these sunsets are better. Ars Avanti Gallery. Leipzig, Germany

2018 Access Granted: A Global €on$pirac£¤. LindeNOW Festival. Leipzig, Germany

2017 Tour De Franz. Open Studios, FF15. Leipzig, Germany

2017 Diversity Collection. LindeNOW Festival. Leipzig, Germany

2017 EAT THIS. Salon Similde. Leipzig, Germany

2016 Goodbye Horses. Pilotenkueche, Spinnerei. Leipzig, Germany

2016 Listhus A-I-R. ¨®lafsfjöreur, Iceland. 

2016 PILOTENKUECHE Leipzig, Germany.


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